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Black Grace holds a bouquet of peonies in her hands. She seems to dissolve in this moment, allowing the flowers to fill her darkness with light. Her gaze reflects gratitude for the simple but profound gift of nature. It seems as if the peonies themselves have submitted to her power and become part of her essence. And now Black Grace and the delicate flowers exist in one breath, creating a story about the beauty of contrasts.
The painting is executed… in a Symbolist style. I portray feminine power and inner strength. Female beauty is founded upon sensuality and instinct, originating in the wildness of nature. I speak of a dangerous beauty that conceals mystery and independence.
I, Galyna Antonenko, am an architect by training.
I studied painting for six years in the private studio of the renowned Ukrainian artist V. Sosna. I use primarily bright acrylic paints in my works.
My art is an attempt to stop time.
When I paint women's portraits, it's as if I whisper to them: "Stop, moment—you are so beautiful!"
I am inspired by those brief, almost imperceptible moments when a person becomes truly visible—without posing, without protection, simply themselves.
The women in my paintings are not models, but reflections of inner strength, vulnerability, and beauty in simplicity.
I seek in every face that facet of light where life is hidden.
Children's portraits occupy a special place in my work. Adults strive to appear, while children strive simply to feel. And I strive to capture this pure feeling: delight, surprise, sadness, joy—everything that makes us alive. My paintings are more than just images. It is a dialogue with the moment.