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The city seen through the eyes of someone who is used to seeing things like a painter, is not ordinary. It is awkward to come up with parallel lines, controlling design through post processing, playing around with organisational concepts. It isn’t the real way cityscapes are experienced on an everyday basis. Why then do I make things look like that?
The answer is to do with the visual elements. It certainly comes with “colouring” meanings in an… analogous way. The horizontal brings balance and order. It makes things look calm, still. Diagonals oppose this. Reading the Greek word for ice cream gives an irony to the atmosphere. Things turn from serious and well thought out to funny. The become more human. The letters read something we all feel relaxed with. Pleasure isn’t opposite to order.
George-A. Makridis, a painter and digital artist, was initially drawn to the canvas by his mechanic father. He adeptly manipulates oil, water-based mediums, and digital interfaces, crafting works that defy conventional forms while experimenting with collage and mixed media. His connection to the environment, physical and spiritual, interweaves his artwork, using instinct rather than philosophy. His work reflects an earnest attempt at bonding with the world, hinting at a quest for goodness, an ephemeral touch we strive for yet never truly grasp.
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