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A ceramic sculpture shaped by gravity, patience, and quiet resolve. Inspired by a dress designed by Anat Friedman, the form stands tall and grounded, its long vertical opening suggesting a horizon held in balance.
The tied waist gathers the surface inward, signaling containment rather than ornament. The dark, weathered glaze carries traces of time, use, and exposure. In the absence of a figure, the dress becomes a solitary presence, reflecting a… femininity rooted in endurance, where strength is sustained rather than declared."
Bringing a background in graphic design and a passion for clay, Guy Hivroni produces ceramic works in Jerusalem that encapsulate his dedication to creation. His sculptures, shaped through wheel throwing and meticulous hand-building, embody a unique dynamism, enthusing life and story into the form of garments. The emotion within his pieces arises from the realization of the paradoxical presence in absence; suggesting an intimate human narrative beckoning for reflection and personalized interpretation, through the tangible representation of clothing.