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The hand comes from the "Annunciation" by Antonello da Messina. This famous small-format oil painting from the early Renaissance depicts the moment when the Archangel Gabriel appears to the Virgin Mary to announce the birth of Jesus. The angel is not in the picture and is located exactly in the viewer's position, directly in front of Mary. The viewer is imaginarily in the picture as a simulation of the angel.
In my picture there is a hard cut between… the left half of the picture and the right, which is marked by a Medusa, a sculpture by Gianlorenzo Bernini. The hand gesture refers to transcultural connections between myth and religion, which extend from their beginnings to the present day (the red mouth with the speech bubble at the top right).
Heribert Heere uses collage, paintings (oil, acrylic, watercolor), digital media, and photography; his artistic development was honed at the Academy of Fine Arts Munich and shaped by art historical studies. With sophisticated stylistic pluralism, he combines old and new, representational and abstract, and the trivial with high culture in his works, allowing collage, painting, and montage to flow seamlessly into one another. His works create a poetic tension and invite viewers to reflect on the constant metamorphosis of our culture and to experience the interplay of meanings on an emotional level.