La joven de la perla, reimaginada
Hybrid on Paper
12x8in
$870
Framing
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Ian Mont
Spain
Related collection
Heart in Translation
33 pieces
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Ian Mont
Artwork details
- Printing : Hybrid on Paper
- Framing : Framing on request
- Dimensions : 8.3x11.7in
- Edition : 25 / 25
- Artist's proof : 3
About this artwork
The pangolin is the most trafficked mammal in the world; its scales are valued on the black market for their supposed medicinal properties. The woman in the composition delicately holds the animal while her own golden heart beats on display.
The title operates in a double register: the pangolin as illegal merchandise, the migrant as "cargo" in the hands of traffickers. Both are displaced beings, both have value for what they carry, not for their… own existence.
The Dubai skyline in the background, a city built on migrant labor, is no coincidence. It's the geography of accumulation where human and animal bodies are resources rather than subjects.
Process: Symbolic composition using generative AI, printed on metallic paper (Hahnemühle Photo Rag Metallic 340g/m²). Signed and numbered. Certificate included.
The title operates in a double register: the pangolin as illegal merchandise, the migrant as "cargo" in the hands of traffickers. Both are displaced beings, both have value for what they carry, not for their… own existence.
The Dubai skyline in the background, a city built on migrant labor, is no coincidence. It's the geography of accumulation where human and animal bodies are resources rather than subjects.
Process: Symbolic composition using generative AI, printed on metallic paper (Hahnemühle Photo Rag Metallic 340g/m²). Signed and numbered. Certificate included.
Ian Mont
Spain
Credentials
- Featured in gallery curations
- Works on commission
Ian Mont (Puerto Padre, 1972) paints the memory that exile fragmented.
He exhibited in Cuba during the 1990s until a scholarship brought him to Spain in 2006. He never returned. Between 2006 and 2018, he survived by working in technology, the painting being buried along with the works he couldn't get off the island.
Since 2018, he has returned to oil, burlap, and rough materials, but his practice has mutated. He combines traditional painting with artificial intelligence applied to historical archives, working with photographs of Ellis Island and colonial records to reconstruct what was silenced. The series "Iconoclasms" and "Animals in Conflict" dismantle sacred and national symbols to reveal their hidden violence.
From Barcelona, he develops a visual archaeology of Atlantic migration. He doesn't seek beauty, he seeks testimony. The wound doesn't heal, it breathes.
He exhibited in Cuba during the 1990s until a scholarship brought him to Spain in 2006. He never returned. Between 2006 and 2018, he survived by working in technology, the painting being buried along with the works he couldn't get off the island.
Since 2018, he has returned to oil, burlap, and rough materials, but his practice has mutated. He combines traditional painting with artificial intelligence applied to historical archives, working with photographs of Ellis Island and colonial records to reconstruct what was silenced. The series "Iconoclasms" and "Animals in Conflict" dismantle sacred and national symbols to reveal their hidden violence.
From Barcelona, he develops a visual archaeology of Atlantic migration. He doesn't seek beauty, he seeks testimony. The wound doesn't heal, it breathes.
Ian Mont
Carga preciosa
$870
