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An almost unreal water surface, containing irregular stakes of a fish trap, and a few water birds.
The fish trap images are rendered in light colors, reduced to the island-like structure of the traps. The chosen narrow, horizontal format reinforces the impression of infinity. One searches the distance for some point of reference and finds only the boundless horizon, the open expanse. Furthermore, watching the film that accompanied the fish trap… images allows one to quietly indulge in thoughts of time, transience, and eternity.
This picture of the fish trap was taken on the Danish Baltic coast, in the far south of Møn near the Madses cliffs.
The works of Berlin artist Ilja Mlosch operate in a space beyond photographic hyperrealism and painting. They unsettle the viewer when, beneath the obvious beauty of a subject, beneath the layers of material, the innermost, vulnerable essence of the depicted subject flashes through.
“I have great faith in the simplicity, in the delicacy of the elaborate interior.”
Ilja Mlosch has long been exploring the possibilities of different materials to make this delicacy visible and invite us on a journey into the innermost being of things.