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Inna Etuvgi
Sweden
Related collection
Chromatic joy
24 pieces
Artist highlights
- Local Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Inna Etuvgi
Artwork details
- Medium : Digital on Paper
- Framing : Framing on request
- Dimensions : 21.3x16.9in
- Edition : 1 / 25
- Artist's proof : 2
About this artwork
EXOSKELETON
«All those structures we keep living by — do they still hold anything, or just seem to?»
We surround ourselves with brutal things — buildings, walls, weapons, rules. We build them all out of our own vulnerability.
We are animals, no longer living wild. Soft creatures who raise hard worlds with rules of their own.
We are not the wild flowers of life anymore — we are the selected kind: bred, arranged, kept.
The softer we are, the harder… we build. But how much of it still needs to stand?
*
Studio Edition of 25.
Museum-quality Giclée print on Archival Fine Art paper.
Image size 40x50 cm. Total paper size 43x54 cm.
Hand-signed, numbered, and printed by the artist. Certificate of Authenticity.
«All those structures we keep living by — do they still hold anything, or just seem to?»
We surround ourselves with brutal things — buildings, walls, weapons, rules. We build them all out of our own vulnerability.
We are animals, no longer living wild. Soft creatures who raise hard worlds with rules of their own.
We are not the wild flowers of life anymore — we are the selected kind: bred, arranged, kept.
The softer we are, the harder… we build. But how much of it still needs to stand?
*
Studio Edition of 25.
Museum-quality Giclée print on Archival Fine Art paper.
Image size 40x50 cm. Total paper size 43x54 cm.
Hand-signed, numbered, and printed by the artist. Certificate of Authenticity.
Inna Etuvgi
Sweden
Credentials
- Local Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
My artistic practice is shaped by aphantasia - the inability to form mental images - and my indigenous Chukchi heritage. Art for me is a tool for cognition. I can't see images in my mind, my inner screen is off. So the camera and the generative algorithm function as prostheses for my visual imagination, allowing me to find, create, and finally see what cannot exist in my mind's eye. Through macro photography I immerse myself in the micro-worlds of mosses, lichens, and dewdrops, entering a quiet dialogue with nature shaped by my Chukchi upbringing. Through AI-assisted digital art I explore what the lens cannot capture - inner archetypes and psychological states beneath the visible surface. I think of these digital works as fine art memes, providing visual experience and cultural meaning at once. What connects both is something I carry from childhood — the ability to feel into what I observe, to become the drop, the moss, the figure in the portrait, while keeping my own awareness intact.
Inna Etuvgi
Exoskeleton - studio edition
$950
