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Inna Etuvgi
Sweden
Artist highlights
- Local Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Inna Etuvgi
Artwork details
- Medium : Digital on Paper
- Framing : Framing on request
- Dimensions : 17.3x16.9in
- Edition : 25 / 25
About this artwork
BROKEN PIXEL
I think of personality as a cube you read all at once, like a QR-code. Every role, belief and defence is one module. Turn it, and a different face comes up — still one readable whole.
Trauma is the module that never went in. The experience was too big to process, so it stayed outside the code. Where it belongs there's a gap. Sand drifts in, weeds take hold, but the block still lies apart — and that empty square keeps throwing errors.… Every read passes through it and comes back wrong.
Time doesn't close it. Covering is not integrating. The growth over the hole once kept me safe; it doesn't fill it.
Most of my gaps are from childhood, so I go back with a child's eyes — to the girl I was, standing at the edge of it. This time she doesn't look in alone.
___
Studio Edition of 25.
Museum-quality Giclée print on Archival Fine Art paper.
Image size 40x40 cm. Total paper size 43 x 44 cm.
Hand-signed, numbered, and printed by the artist. Certificate of Authenticity.
I think of personality as a cube you read all at once, like a QR-code. Every role, belief and defence is one module. Turn it, and a different face comes up — still one readable whole.
Trauma is the module that never went in. The experience was too big to process, so it stayed outside the code. Where it belongs there's a gap. Sand drifts in, weeds take hold, but the block still lies apart — and that empty square keeps throwing errors.… Every read passes through it and comes back wrong.
Time doesn't close it. Covering is not integrating. The growth over the hole once kept me safe; it doesn't fill it.
Most of my gaps are from childhood, so I go back with a child's eyes — to the girl I was, standing at the edge of it. This time she doesn't look in alone.
___
Studio Edition of 25.
Museum-quality Giclée print on Archival Fine Art paper.
Image size 40x40 cm. Total paper size 43 x 44 cm.
Hand-signed, numbered, and printed by the artist. Certificate of Authenticity.
Inna Etuvgi
Sweden
Credentials
- Local Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
My artistic practice is shaped by aphantasia - the inability to form mental images - and my indigenous Chukchi heritage. Art for me is a tool for cognition. I can't see images in my mind, my inner screen is off. So the camera and the generative algorithm function as prostheses for my visual imagination, allowing me to find, create, and finally see what cannot exist in my mind's eye. Through macro photography I immerse myself in the micro-worlds of mosses, lichens, and dewdrops, entering a quiet dialogue with nature shaped by my Chukchi upbringing. Through AI-assisted digital art I explore what the lens cannot capture - inner archetypes and psychological states beneath the visible surface. I think of these digital works as fine art memes, providing visual experience and cultural meaning at once. What connects both is something I carry from childhood — the ability to feel into what I observe, to become the drop, the moss, the figure in the portrait, while keeping my own awareness intact.
Inna Etuvgi
SPLITTING - studio edition
$960
