Discover the creation in interiors
Artwork details
- Medium : Digital on Canvas , Wood
- Framing : Framing on request
- Dimensions : 36x24in
- Edition : All editions sold (5 / 5)
- Artist's proof : 1
About this artwork
Low Tide 3/5 limited edition archival pigment print on canvas
Also available on paper with unprinted border of 2-3" printed on German Etching, may be customized to be smaller or larger
Part of a series of dreamy landscapes created for a show at the Seattle Art Museum Gallery presenting artists influenced by Asia. I spent many years studying Chinese and Japanese ink painting. This landscape mixes watercolor, photography and digital alchemy in a distinctive… style that explores the ambiguous space between photographic reality and memory.
A rare low tide as glimpsed from Sammish Island in the Pacific Northwest. My prints are not reproductions of paintings, but digital hybrid combining painting and photography as a limited edition print.
Also available on paper with unprinted border of 2-3" printed on German Etching, may be customized to be smaller or larger
Part of a series of dreamy landscapes created for a show at the Seattle Art Museum Gallery presenting artists influenced by Asia. I spent many years studying Chinese and Japanese ink painting. This landscape mixes watercolor, photography and digital alchemy in a distinctive… style that explores the ambiguous space between photographic reality and memory.
A rare low tide as glimpsed from Sammish Island in the Pacific Northwest. My prints are not reproductions of paintings, but digital hybrid combining painting and photography as a limited edition print.
Iskra Johnson
United States
Credentials
- Experienced Artist
- Works on commission
« Digital software is like playing jazz: it is the ultimate tool for improvisation. It allows me to deconstruct images into layers of light and color, line and shape, and reassemble them into imaginary worlds. »
Iskra Johnson is an American artist who looks to explore how emotion can intersect with architectural structure. Early exposure to solvents meant that she was unable to work in a traditional printmaking studio. However, with her continued love for the medium, Johnson’s digital works have gained a distinct hybrid quality that is often taken for silkscreen or lithography. In this multilayered practice, Johnson is able to explore the complex notions of nostalgia, loss, place and displacement that are entailed in our rapidly changing urban environment.