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Ivan Smith
South Africa
Artist highlights
- International Exposure
- Residency Participant
- Works on commission
Discover the creation in interiors
Artwork details
- Medium : Digital on Plexiglas , Other rigid frame under plexiglas
- Framing : Framing on request
- Dimensions : 23.6x23.6in
- Edition : All editions sold (15 / 15)
About this artwork
“Sweet Audrey” (Nobody has a smile as sweet as Audrey’s)
Since Audrey Hepburn was a subject for Andy Warhol’s silkscreen work, her portraits are a favorite for thousands of Pop Artists around the world.
This artwork is inspired by a unique portrait, shot by Bud Fraker in 1954 for the movie “Sabrina”
Reverse printed on Plexiglass, gives the print a high gloss finish and contemporary feel. The back frame with 2 small D-rings makes the piece ready… the hang and allows the print to float 2.5 cm from the wall.
Since Audrey Hepburn was a subject for Andy Warhol’s silkscreen work, her portraits are a favorite for thousands of Pop Artists around the world.
This artwork is inspired by a unique portrait, shot by Bud Fraker in 1954 for the movie “Sabrina”
Reverse printed on Plexiglass, gives the print a high gloss finish and contemporary feel. The back frame with 2 small D-rings makes the piece ready… the hang and allows the print to float 2.5 cm from the wall.
Ivan Smith
South Africa
Credentials
- International Exposure
- Residency Participant
- Works on commission
« I exist to create. »
Ivan Smith's reaction against unsustainable fast fashion, after a successful career as a fashion and textile designer, drove him to direct his creativity towards more enduring arts.
The South African painter works across disciplines, with an emphasis on mixed media painting and drawing. Since January 2020, Smith's workflow became increasingly digital, resulting in more conceptual work. His contemporary and figurative works play with pattern and design, as well as elaborate motifs, embedding mannequin-like subjects in an aesthetic "fabric of the world".
The South African painter works across disciplines, with an emphasis on mixed media painting and drawing. Since January 2020, Smith's workflow became increasingly digital, resulting in more conceptual work. His contemporary and figurative works play with pattern and design, as well as elaborate motifs, embedding mannequin-like subjects in an aesthetic "fabric of the world".
