Contre le vent
Acrylic, Oil on Linen
20x20in
$630
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Jean-Roch Klethi
France
Related collection
Exhibition Les Arts du Rhin - Jean-Roch Klethi
5 pieces
Artist highlights
- Local Artist
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Jean-Roch Klethi
Artwork details
- Medium : Acrylic, Oil on Linen
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 39.4x39.4in
About this artwork
This piece is part of a series dedicated to movement, exploring the lightness of wind, dance, and flight, as well as the energy of elemental forces. Giving form to these dynamics is a real challenge due to the unruly nature of the textile material used, which tends to impose its own rules.
In this work, the partially unraveled threads create baroque arcs and arabesques, evoking gestures carried away by the body's momentum and the yearning for freedom.… It refers more specifically to dance: a fervent dance, a dance of fire, marked by strength and the will to act. The allusion to Michel Fokine's ballet is therefore not at all accidental.
This piece is made from recovered and partially unraveled jute bags, fixed onto a linen support, then colored, notably by misting with a toothbrush.
In this work, the partially unraveled threads create baroque arcs and arabesques, evoking gestures carried away by the body's momentum and the yearning for freedom.… It refers more specifically to dance: a fervent dance, a dance of fire, marked by strength and the will to act. The allusion to Michel Fokine's ballet is therefore not at all accidental.
This piece is made from recovered and partially unraveled jute bags, fixed onto a linen support, then colored, notably by misting with a toothbrush.
Jean-Roch Klethi
France
Credentials
- Local Artist
- Featured in gallery curations
- Works on commission
The materials I use—most often reclaimed textiles—already carry within them tensions, a weariness, a memory. They don't allow themselves to be molded: they resist, elude me, maintain their own directions. One must negotiate with them. As soon as they are fixed to the support, something is lost. Constrained, the material no longer moves. It flattens, deprived of the momentum that animated it. Its presence remains, but as if suspended.
This is where color comes in. It acts as a developer. With color, the fibers visually detach from the background, gain depth, seem to rise and move. What appeared frozen regains its intensity, begins to evolve in space. It's not about depicting anything, but about transfiguring what is already there. Color doesn't create any form. It shifts the gaze, reveals a depth, an energy, a movement already latent. Through it, what seemed inert comes back to life.
This is where color comes in. It acts as a developer. With color, the fibers visually detach from the background, gain depth, seem to rise and move. What appeared frozen regains its intensity, begins to evolve in space. It's not about depicting anything, but about transfiguring what is already there. Color doesn't create any form. It shifts the gaze, reveals a depth, an energy, a movement already latent. Through it, what seemed inert comes back to life.
Jean-Roch Klethi
L'Oiseau de feu
$2,000
