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Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
19.7x19.7in
About this artwork
This piece is made using a partially unwoven burlap glued to the linen support, then colored. The finishing color is oil paint. It is applied in particular by misting with a toothbrush and by rubbing with a flat brush for the raised parts.
The series to which it belongs is dedicated to movement: the lightness of the wind, of dancing, of flying in the air or of the flow carried by water. It was for me the opportunity for a small bet, because the… textile material that I use often turns out to be rebellious and twisted. The challenge consisted in constraining it to flexibility and escaping the stiffness to which it willingly completes itself once stuck to the support. From this bet were born these creations including this piece where these clusters of threads seem to float in running water, drawing the arcs, arabesques and movements that the force of the elements can draw...
The materials I use—most often reclaimed textiles—already carry within them tensions, a weariness, a memory. They don't allow themselves to be molded: they resist, elude me, maintain their own directions. One must negotiate with them. As soon as they are fixed to the support, something is lost. Constrained, the material no longer moves. It flattens, deprived of the momentum that animated it. Its presence remains, but as if suspended. This is where color comes in. It acts as a developer. With color, the fibers visually detach from the background, gain depth, seem to rise and move. What appeared frozen regains its intensity, begins to evolve in space. It's not about depicting anything, but about transfiguring what is already there. Color doesn't create any form. It shifts the gaze, reveals a depth, an energy, a movement already latent. Through it, what seemed inert comes back to life.
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Ondée
Jean-Roch Klethi
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