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This piece inaugurates a vertical archaeology of the everyday. Joaquín transmutes the chaos of a poker game—chips, chance, and the remnants of after-dinner conversation—into a contemporary still life that defies gravity. The work stems from an anthropological observation: the accidental beauty left behind after an encounter. By transferring these vestiges from the horizontality of the table to the verticality of the wall, the artist freezes time,… transforming domestic ruin into an aesthetic relic.
"Flush" encapsulates the tension of "all or nothing." Amidst overturned coffee cups, exposed wallets, and playing cards, a story of vulnerability and risk unfolds. True to his commitment to sustainability, Joaquín elevates found objects and reclaimed materials to the status of high culture, creating a modern memento mori. It is an essential piece for collectors seeking narrative, exclusivity, and a raw perspective on the fragility of our social connections.
Joaquín Acevedo is a visual artist whose work stems from a fundamental principle: to think and explore like a child. For him, art is not a rigid destiny, but a state of constant wonder where play is the artist's most serious work. From this perspective, his practice eschews labels or limiting styles, transforming ordinary materials like wood, Legos, moss, or cardboard into extraordinary pieces that function as an emotional diary.
This freedom has led him to explore live art, notably his participation in the Alto Sessions alongside artist Olivia García. He has positioned his work in global markets, with pieces sold in Miami, New York, Vancouver, and Kyoto, always highlighting innocence as the greatest creative force. Joaquín understands art as pure emotion and a bridge that needs no translation. In a world obsessed with the goal, he operates under his own certainty: giving oneself permission to play and to make mistakes—that is true triumph.