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This work is an intricate assemblage of reclaimed wood that structures a controlled chaos, metaphorically representing a house consumed by a fire of passions and transformation. Among the layers of demolition wood and the vibrant palette of warm colors, fragments of images from Edgar Degas's works are camouflaged like trapped memories, creating hidden micro-scenes within the larger 'fire'. Upon contemplating it, the viewer is invited to 'enter' this… burning house and discover, hidden among the textures and the disorder, the diverse characters of Parisian bohemia: some more outgoing and direct, others barely sketched and timid, and still others with a more bohemian and bizarre, almost grotesque air, in a visual game of hide-and-seek that invites each viewer to find themselves in some corner of this chaotic rebirth.
Joaquín Acevedo is a visual artist whose work stems from a fundamental principle: to think and explore like a child. For him, art is not a rigid destiny, but a state of constant wonder where play is the artist's most serious work. From this perspective, his practice eschews labels or limiting styles, transforming ordinary materials like wood, Legos, moss, or cardboard into extraordinary pieces that function as an emotional diary.
This freedom has led him to explore live art, notably his participation in the Alto Sessions alongside artist Olivia García. He has positioned his work in global markets, with pieces sold in Miami, New York, Vancouver, and Kyoto, always highlighting innocence as the greatest creative force. Joaquín understands art as pure emotion and a bridge that needs no translation. In a world obsessed with the goal, he operates under his own certainty: giving oneself permission to play and to make mistakes—that is true triumph.