#264 Master
Cement on Wood
25x33in
$450
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Johan Söderström
Norway
Related collection
Artworks Inspired by Anna Veruda
272 pieces
Artist highlights
- Major permanent collection
- Prizewinner
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Johan Söderström
Artwork details
- Medium : Cement on Wood
- Other details : Artwork on wood. Artwork framed.
- Dimensions : 25.2x33.1in
About this artwork
84x64 cm | Filler, oak panel
Like all my works, this is about the relationship between language and matter. All semantic activity is based on the possibility of dissecting, of distinguishing one from the other. But where the image as an expression of language is bound to a spatial delimitation, a frame if you will, the text is, to a greater extent, limited temporally. It is dependent on a timeframe, a beginning and an end. You may call it a narrative.…
But what's paradoxical about this notion is that it is simultaneously impossible without a continuation. We must presuppose a new narrative that picks up where the previous one ends. The ultimate end, death as the end of time itself, is impossible to fully grasp and comprehend in a cognitive, semantic way. Language is thus limited to what exists physically because the "non-existent", before and after the beginning and end of time, is outside the temporal domain of language. Read more: www.jodsoderstrom.com/product-page/446-the-end
Like all my works, this is about the relationship between language and matter. All semantic activity is based on the possibility of dissecting, of distinguishing one from the other. But where the image as an expression of language is bound to a spatial delimitation, a frame if you will, the text is, to a greater extent, limited temporally. It is dependent on a timeframe, a beginning and an end. You may call it a narrative.…
But what's paradoxical about this notion is that it is simultaneously impossible without a continuation. We must presuppose a new narrative that picks up where the previous one ends. The ultimate end, death as the end of time itself, is impossible to fully grasp and comprehend in a cognitive, semantic way. Language is thus limited to what exists physically because the "non-existent", before and after the beginning and end of time, is outside the temporal domain of language. Read more: www.jodsoderstrom.com/product-page/446-the-end
Johan Söderström
Norway
Credentials
- Major permanent collection
- Prizewinner
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.
Johan Söderström
#446 The End
$2,960
