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128x168 cm (each panel 64x84cm) | Filler, oak panels
My works are cast in oak panels using standard wall filler (not cement).
Reality, as it is beyond language, is hidden from us. But just as when the invisible man has paint thrown over him and suddenly appears in front of us, we can perceive reality with the help of language. Language covers the raw, unmediated matter and makes it understandable. At the same time, it hides our inability to see,… reach and directly participate in the innermost core of existence. In this way, we recognise a deficiency in our perception of the world around us, which creates a lack–something is missing. This lack is what propels humanity. To explore, penetrate, investigate, conquer, surrender, immerse and invest in. But it’s never enough. We are always on the outside. It’s the primordial, inevitable and everlasting wheel of desire.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.