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This work features an egg placed on top of the panel in a small indentation.
The horrors of war are often described as a brutal and material reality, and the hope for a peaceful future as something fleeting, like a dream or an idea. Something to be created, as opposed to the violence that exists in the natural state. But in this work, the egg, a symbol of hope and potential, is placed outside the image and, thus, in my interpretation,… outside the realm of language. The pointed shape, reminiscent of a missile or a bullet, dominates the pictorial field and is expressed as a sign. Perhaps hope instead belongs to materiality, involuntarily in the body, even if only as a struggle for survival. And violence, on the other hand, is an act of language, something that is consciously chosen.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.