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A small oak cross is placed on the panel, mirrored in an imprint on the image below.
The self-aware subject cannot imagine a world in which it does not exist. We can accept and understand it is possible, but imagining something presupposes a perspective, precisely what the non-existent lacks. If we think of ourselves as dead in a secular way, we may experience it as a void or darkness. But we cannot imagine a non-experience.… That's why we like to see the boundary to death as a reflective surface. Death reflects life in such a manner that it is also a place where the subject belongs. It has become the task of religion to describe this, and the cross symbolizes the victory of life over death within Christian culture.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.