#381 Painting With Cigar
Cement on Wood
29x35in
$3,070
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Johan Söderström
Norway
Related collection
Balance Act
17 pieces
Artist highlights
- Major permanent collection
- Prizewinner
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Johan Söderström
Artwork details
- Medium : Cement on Wood
- Other details : Artwork on wood. Artwork framed.
- Dimensions : 25.2x35.4in
About this artwork
Filler on board, oak panel, stones
I made this work by placing seven stones in the wet filler, forming the shape of the asterism the Big Dipper or The Plough, part of the star constellation, Ursa Major.
I used the Swedish word for the title to focus on the importance of the stars to location. The constellations look different depending on where you are on earth, and they have been used for navigation for ages. I find this connection between the… local and the universal beautiful.
Stones appear as mystical objects to me. So dense and mute and old. I feel they somehow represent the psychoanalytical register of the Real. It signifies the dimension beyond phenomenon, how matter is in itself before it is interpreted by perception. A stone is so oblivious to its exterior, it could be hovering in space in a galaxy far, far away, or it could be placed in wet filler on a panel in my studio. Something is fascinating and, at the same time, deeply disturbing about this.
I made this work by placing seven stones in the wet filler, forming the shape of the asterism the Big Dipper or The Plough, part of the star constellation, Ursa Major.
I used the Swedish word for the title to focus on the importance of the stars to location. The constellations look different depending on where you are on earth, and they have been used for navigation for ages. I find this connection between the… local and the universal beautiful.
Stones appear as mystical objects to me. So dense and mute and old. I feel they somehow represent the psychoanalytical register of the Real. It signifies the dimension beyond phenomenon, how matter is in itself before it is interpreted by perception. A stone is so oblivious to its exterior, it could be hovering in space in a galaxy far, far away, or it could be placed in wet filler on a panel in my studio. Something is fascinating and, at the same time, deeply disturbing about this.
Johan Söderström
Norway
Credentials
- Major permanent collection
- Prizewinner
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.
Johan Söderström
#386 Karlavagnen - Ursa Major
$2,990
