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This painting depicts an abandoned water tower from my childhood in Torshälla, Sweden. It is titled Rudolf Meidner, after the economist who, through the Swedish Trade Union Confederation, shaped post-war Social Democratic policies. Meidner was the architect of the 1982 employee funds, designed to gradually shift company ownership from private hands to the public using firms’ own profits. Fiercely opposed… by the right, the final program fell far short of his vision, which he dismissed as “a pathetic rat.” By then, neoliberalism had reshaped opinion, and in 1992 the funds were dismantled. A dried rose hangs from the panel, a quiet symbol of the lost promise of social democracy.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.