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The Lemniscate, symbol of infinity, is a concept the human mind can’t fully grasp, existing in the Imaginary. In the symbolic order it functions like utopia—always out of reach. Growing up, I saw it as Konsum’s logo, a grocery chain rooted in the workers’ movement that shaped Scandinavian politics. Though some cooperatives survive, they now operate fully within market logic. The dried roses in the work… recall social democracy’s lost promise. Equal distribution, once central, has faded—or perhaps never truly existed. Like social liberalism, it now seeks only to soften capitalism while protecting it from organized labor. Yet I miss my childhood sense of security: the belief one could pursue any dream—even art—without fear of economic ruin. Today, becoming an artist is mostly reserved for the wealthy.
« I am interested in process-based painting, and the profound solitude of the human mind. While exploring one, I sometimes try to formulate something about the other, and how it affects our relationship with the outside world. »
Johan Söderström is a nationally-distinguished Norwegian painter. His works consist of layers of filler where various fields are laid beside each other, like pieces in a puzzle, and he uses his unique technique to emphasize cracks, textures and other aspects the material's own history. He primarily explores the theme of human alienation, and aims to ensure that his aesthetic can be perceived in ways simple enough to diminish the distance between viewer and work.