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The composition employs both organic and mechanical elements. In the lower section, the turtle is depicted in considerable detail; the textures of its shell, its scales, and its anatomy are clearly discernible, lending it a naturalistic character. However, this naturalism stands in stark contrast to the structure it bears upon its back—a dense, chaotic mass of machinery replete with parts, tubes, and gears, which appears improvised or even surreal.…
I took several factors into account while creating this work, such as *load and resistance*: the turtle—a symbol of slowness and steadfastness—bears the weight of a complex structure, which could allude to the burden of progress or technology upon nature.
*Nature-Machine Fusion*: This suggests a coexistence—or perhaps a conflict—between the organic and the artificia
Julio Cesar Cepeda Duque is a painter, draftsman, printmaker, and sculptor, trained at the Samuel Feijóo Professional Art School in Cuba, with extensive experience in the art community. His work is distinguished by techniques such as monochrome and rough-textured drawing and printmaking, evoking the erosion of time, while exploring multiple materials and disciplines as each concept requires. He addresses themes such as human relationships, recycling, and the link between science and nature. He seeks to move the viewer, inviting them to reflect deeply, beyond the visual impact, on the richness and silent resilience of time.