sturm II
Oil, Oil Pastel on Paper
39x28in
$1,630
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Justina Trefz
Germany
Artist highlights
- Bestseller
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Justina Trefz
Artwork details
- Medium : Oil, Graphite on Paper
- Other details : Artwork on cardboard. Artwork framed.
- Dimensions : 21.7x21.7in
About this artwork
"On the Sea" captures a fleeting moment in nature, full of energy and emotion. Using abstract and expressionistic techniques, the work depicts movement and change while maintaining a profound calm. A powerful image that unites the dynamism and quiet moments of life.
The painting is painted on paper, fitted with a 7 cm wide mat, and framed behind glass in a white wooden frame (73 x 73 x 2 cm). The interior dimensions of the painting are 55 x 55… cm.
The painting is painted on paper, fitted with a 7 cm wide mat, and framed behind glass in a white wooden frame (73 x 73 x 2 cm). The interior dimensions of the painting are 55 x 55… cm.
Justina Trefz
Germany
Artist highlights
-
Bestseller
Discover Singulart’s most sought after artists. This section is filled with our collector’s favorites and showcases ongoing trends.
View all bestsellers
Credentials
- Featured in gallery curations
CHANGE and TRANSFORMATION are the central themes of my art. Through the power of colors, I express invisible inner states as well as the preconscious and unconscious and make them sensually perceptible. In my works, spaces of tension arise that combine calm and movement, dynamics and tension, and in which feelings, images and associations can come to life.
I work with different techniques: colors are removed and reapplied, and I use different utensils to scratch, smear and rub the materials - all of this leaves unmistakable marks on the canvas.
Are they landscapes or people? Or are they rather independent abstractions? This uncertainty remains even after a longer viewing and invites you to develop your own perceptions and memories of the images.
I work with different techniques: colors are removed and reapplied, and I use different utensils to scratch, smear and rub the materials - all of this leaves unmistakable marks on the canvas.
Are they landscapes or people? Or are they rather independent abstractions? This uncertainty remains even after a longer viewing and invites you to develop your own perceptions and memories of the images.
