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Karin Doering
Germany
Artist highlights
- International Exposure
- Art Fair Participant
- Prizewinner
- Covered by the Press
- Solo shows participant
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Karin Doering
![LICHTGESTALT XXV [25] by Karin Doering, Painting for Sale on Singulart](https://www.singulart.com/images/artworks/v2/cropped/26399/main/base/2198801_3ee03d4d772cc84f9a4acdc5e654c82a.jpeg)
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on wood. Ready to hang. Framing on request.
- Dimensions : 31.5x31.5in
About this artwork
Stay cool. Provocative, cheeky and yet bored, the woman's portrait looks at the viewer. Portrait from the FACES series by the artist Karin Döring. The view is captivating and the colors explode in their large-format portraits. The work is painted with acrylic paints and exclusively with a painting knife using the spatula technique.
The portrait artist signs the pictures by stamping her initials KD on the front
of the work. Since the beginning… of her painting she has been using the same stamps that she cut from a cork. The year of creation, title and signature of the artist can be found on the back of the picture. Sale with certificate of authenticity.
The portrait artist signs the pictures by stamping her initials KD on the front
of the work. Since the beginning… of her painting she has been using the same stamps that she cut from a cork. The year of creation, title and signature of the artist can be found on the back of the picture. Sale with certificate of authenticity.
Karin Doering
Germany
Credentials
- International Exposure
- Art Fair Participant
- Prizewinner
- Covered by the Press
- Solo shows participant
- Featured in gallery curations
- Works on commission
« The more curious we are, the more creative we become »
My work explores the tension between identity, body, concealment, and transformation.
I don't understand painting as a representation, but as a space for inner movement. As a place where that which cannot be captured becomes visible.
I work in series that develop organically during the process, not from pre-existing concepts. Material plays a central role: acrylic, texture, gold leaf, platinum, and mixed media are not merely decorative elements, but carriers of meaning.
Concealment is not a retreat. It is a deliberate act. It creates distance, protection, and a new way of reading.
Faces and bodies do not appear as surfaces for identification, but rather as spaces for projection. I understand identity not as a state, but as a process, characterized by the tension between visibility and withdrawal.
I don't understand painting as a representation, but as a space for inner movement. As a place where that which cannot be captured becomes visible.
I work in series that develop organically during the process, not from pre-existing concepts. Material plays a central role: acrylic, texture, gold leaf, platinum, and mixed media are not merely decorative elements, but carriers of meaning.
Concealment is not a retreat. It is a deliberate act. It creates distance, protection, and a new way of reading.
Faces and bodies do not appear as surfaces for identification, but rather as spaces for projection. I understand identity not as a state, but as a process, characterized by the tension between visibility and withdrawal.
