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Other details :
Artwork on supported wooden frame. Framing on request.
Dimensions :
35.4x47.2in
About this artwork
"Hello Motoko. Welcome to the Blue Period", is a series of eight paintings that re-visit Picasso’s Blue Period (1901-04) by inserting and interpreting digital stills in oil, “paused” from the classic film “Ghost in the Shell” (1995). The subject matter I’m re-presenting in my paintings, both explore philosophical
themes of identity and existence in a world where humans and machines are merging. The Blue
Period examines similar themes of alienation… and existential concerns which are very relatable in
the age of A.I.and advanced technologies.
Tragedy at the Beach finds meaning in juxtaposition as it fuses a deep sense of concern as Motoko questions if her “ghost” retains any humanity, wondering if she’s comprised entirely of synthetic intelligence or if in fact, has a soul? This fuels the empathy in her expression as a family mourns the loss of their child, a scene from Picasso's Blue Period.
Discover the newest artists on Singulart who joined our community in the last month. If you are looking for fresh artworks you’ve never seen before, this is the section to visit.
Kent Laforme is a masterful sculptor and painter, trained in Canada and Italy, who delves into marble, stone, and oil painting to explore cultural identity and the continuum of sculptural tradition. His technique is rooted in classical hand-carving, blending East and West, with textured surfaces that play with light and shadow—marrying ephemeral abstraction and contemplative figuration. His artworks evoke deep reflection, the timeless power of nature, and a sense of existential wonder, inviting viewers into meditations on identity and the cycles that shape human civilization.
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The Tragedy at the Beach
Kent Laforme
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