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Medium :
Digital on Paper , Other rigid frame under glass
Framing :
Framed
Dimensions :
51.2x39.4in
About this artwork
She doesn't pray to God. She prays to herself. Because she discovered that she was always both.
The wings are not a reward for kindness. They are scars that grew outward when the pain could no longer be contained within. Each feather, a tear that refused to fall.
Closed eyes are not submission. They are the moment before your personal big bang, when all your energy is concentrated at the exact point where your transformation explodes. It's not… asking for miracles; it's creating them.
The rosary in his hands doesn't count sins. It counts the times he survived when he shouldn't have. It's an abacus of resurrections.
This work speaks of faith when you no longer believe in anything external. When you understand that the only savior who will come is you, with wings. When "amen" means "that's who I am."
The women who buy it hang it where they can see it every morning. They tell me, "It reminds me that I am my own answer."
"Faith" - when you stop waiting for salvation and become it.
Laia Grassi, a fine arts-trained artist specializing in design, uses digital media and generative AI to create an obsessive and deeply symbolic "Digital Baroque." Her technique fuses AI-generated fragments, deliberate errors, and a restricted palette, achieving dense visual symphonies capable of both unsettling and captivating. Her work makes the feminine visible as a complex and visceral power, creating mirrors where women see themselves as whole, powerful, and free, empowering the feminine through scars, masks, and the choice of solitude.