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Medium :
Digital on Paper , Other rigid frame under glass
Framing :
Framed
Dimensions :
47.2x70.9in
About this artwork
They are not resting. They are choosing from where to fall.
He, bent over steel, is not defeat. It is the weight of building a world that is not his. She, standing tall, is not victory. It is the decision not to bend even when the wind tries to knock her down.
This isn't New York in 1932. It's any city, any day, where two souls sit on the edge of the corporate void. Without a harness. Without a net. Only with the certainty that the real danger… isn't falling, but staying put.
The triptych fragments reality like our lives: divided between who we are in the office, who we are on the cliff swing, and the void between both versions.
The beams aren't construction. They're horizontal cages. And they aren't workers. They're emotional tightrope walkers who choose not to jump every day.
Those who buy it see their own lives reflected: suspended between success and emptiness, building other people's skyscrapers while their own dreams wait on the ground.
Laia Grassi, a fine arts-trained artist specializing in design, uses digital media and generative AI to create an obsessive and deeply symbolic "Digital Baroque." Her technique fuses AI-generated fragments, deliberate errors, and a restricted palette, achieving dense visual symphonies capable of both unsettling and captivating. Her work makes the feminine visible as a complex and visceral power, creating mirrors where women see themselves as whole, powerful, and free, empowering the feminine through scars, masks, and the choice of solitude.