Splitter SWL 302
Pastel, Charcoal on Paper
6x8in
$980
Framing
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Laszlo Toth
Germany
Artist highlights
- Works on commission
Discover the creation in interiors
Other artworks by Laszlo Toth
Artwork details
- Medium : Pastel, Charcoal on Paper
-
Framing :
Cardboard
under glass
Framing on request - Dimensions : 27.6x19.7in
About this artwork
This work belongs to the series "Humanoid Fragments," in which I use pastel and charcoal on paper to make fragmented figures visible in open landscapes. I am interested in how physical presence emerges from fragments, negative forms, and atmospheric color spaces—as if a being were arising from the landscape itself.
The humanoid silhouettes do not appear as classical bodies, but as permeable forms of consciousness composed of fragments of coal. Their… identity emerges in the in-between spaces: in the light, in the haze, in the vibrant expanse reminiscent of William Turner's atmospheric spaces. This Turneresque openness creates for me a space of resonance in which the figures tentatively explore their form.
The landscape – often iconic locations in the Rhineland – serves as a matrix from which the fragmented beings emerge. Flat horizons open upwards into cosmic fields of color, so that earth and vastness merge into one another.
The humanoid silhouettes do not appear as classical bodies, but as permeable forms of consciousness composed of fragments of coal. Their… identity emerges in the in-between spaces: in the light, in the haze, in the vibrant expanse reminiscent of William Turner's atmospheric spaces. This Turneresque openness creates for me a space of resonance in which the figures tentatively explore their form.
The landscape – often iconic locations in the Rhineland – serves as a matrix from which the fragmented beings emerge. Flat horizons open upwards into cosmic fields of color, so that earth and vastness merge into one another.
Laszlo Toth
Germany
Credentials
- Works on commission
My artistic path is a conscious counter-movement to the dominance of cognition in our time.
I work with reduction, atmosphere and form to open up spaces that can be experienced not through analysis, but through imagination and emotional resonance.
My works do not appeal to the mind, but to inner perception — that which arises between memory, feeling and image.
For me, art is a state that wants to be experienced.
The splintered beings emerge as condensations — between figure and dissolution, between impulse and silence.
The Rhine phenomena arise from the direct perception of the river space and condense atmosphere, light and duality into open states between figure and space.
I work with pastel and charcoal on fragmented spaces of perception.
Each work is an atmospheric moment that constantly changes at its future hanging location with the changing daylight of the room and unfolds its depth from a distance.
I work with reduction, atmosphere and form to open up spaces that can be experienced not through analysis, but through imagination and emotional resonance.
My works do not appeal to the mind, but to inner perception — that which arises between memory, feeling and image.
For me, art is a state that wants to be experienced.
The splintered beings emerge as condensations — between figure and dissolution, between impulse and silence.
The Rhine phenomena arise from the direct perception of the river space and condense atmosphere, light and duality into open states between figure and space.
I work with pastel and charcoal on fragmented spaces of perception.
Each work is an atmospheric moment that constantly changes at its future hanging location with the changing daylight of the room and unfolds its depth from a distance.
Laszlo Toth
Humanoid-Splitter HS 26-1
$3,150
