Naufrage
Oil on Canvas
28x20in
$1,060
Framing
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Lauriane Itoua (Lylo)
France
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Lauriane Itoua (Lylo)
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 19.7x19.7in
About this artwork
This composition is an allegory of corruption and the exploitation of Africa's wealth. The wooden boxes, decorated with the names of Africa's precious natural resources, denounce the way in which these riches have been exploited and plundered. This visual representation raises questions about fairness, inequality and the consequences of corruption and economic exploitation. Through this painting I invite viewers to think deeply about the implications…
of the exploitation of Africa's natural resources and to question the means of promoting a more equitable and sustainable use of these riches. This painting wishes to invite reflection and awareness on the problems of corruption and exploitation of resources in Africa, while expressing hope for a future of justice and equity.
Lauriane Itoua (Lylo)
France
Credentials
- Featured in gallery curations
- Works on commission
Lylo is a self-taught painter born in 1986 in Saint Petersburg, of Congolese and Bulgarian origin. She grew up in France, where she built her pictorial language on her own — with only one year at the Bellecour school as a starting point, and the rest through practice, observation, and persistence.
Her subjects are strangers, archetypes — the angel, the father and child, the woman on the subway, the man who looks up. Figures that everyone has already passed by without really looking. Lylo looks at them.
Her technique is inverted: she paints light rather than shadows, working white over black to bring forth faces. The Black figure is not a political subject for her—it is something older, more internal. A mystical presence she seeks in each canvas, somewhere between her heritages.
Her subjects are strangers, archetypes — the angel, the father and child, the woman on the subway, the man who looks up. Figures that everyone has already passed by without really looking. Lylo looks at them.
Her technique is inverted: she paints light rather than shadows, working white over black to bring forth faces. The Black figure is not a political subject for her—it is something older, more internal. A mystical presence she seeks in each canvas, somewhere between her heritages.
Lauriane Itoua (Lylo)
Richesse africaine
$1,230
