Einfallspinsel 5
Acrylic, Ink on Wood
37x53in
$3,590
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Lucas Stolz
Spain
Don't delay, there are 2 collectors who are also interested in this work
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Lucas Stolz
Artwork details
- Medium : Acrylic, Lacquer on Wood
- Other details : Artwork on wood. Artwork framed.
- Dimensions : 36.6x28.7in
About this artwork
This piece was the one that kicked off the eponymous series. It received its first layer in November 2021 and was finished in February 2024. When I realised how long the piece had been in the works and that you could still see traces of the very first layer, I realised that in itself said something about time. There are inks that bled back through fresh coverings of gesso, there are reliefs of at least 5 different self-made tools I used to write…
with over the years.
Zeiggeist is painted with special a technique that lets the colours shift as you look on from different angles. The piece never stays the same.
The title of this series is a play on the German word “Zeitgeist,” which refers to a way of thinking that is symbolic for a moment in time. “Zeig,” (to show), combined with “Geist,” (ghost/spirit), could be interpreted as the "spirit of showing (time)". At its heart, the series is about showing the evolution an artefact with time.
Zeiggeist is painted with special a technique that lets the colours shift as you look on from different angles. The piece never stays the same.
The title of this series is a play on the German word “Zeitgeist,” which refers to a way of thinking that is symbolic for a moment in time. “Zeig,” (to show), combined with “Geist,” (ghost/spirit), could be interpreted as the "spirit of showing (time)". At its heart, the series is about showing the evolution an artefact with time.
Lucas Stolz
Spain
Credentials
- Featured in gallery curations
- Works on commission
Lucas Stolz (*1985 in Basel, Switzerland) understands calligraphy as a painterly act. Writing as a developmental process for images in which words dissolve, signs as traces of a body that writes, where it could also paint.
In his work, he explores four fundamental levels of handwriting: the invention and transformation of signs; continuous writing, which, through repetition, makes humanity visible; the development of custom writing tools, that shape the stroke; and the analysis and repurposing of materials from writing cultures, leading to experiments with sand, pigments and wood.
The artist develops tools and techniques that are idiosyncratic, almost defiant. They demand physical effort, they distort, chop, and multiply the stroke—giving it temperament. This process highlights the question of authorship: Who is writing here—the hand, the tool, or the surface?
In his work, he explores four fundamental levels of handwriting: the invention and transformation of signs; continuous writing, which, through repetition, makes humanity visible; the development of custom writing tools, that shape the stroke; and the analysis and repurposing of materials from writing cultures, leading to experiments with sand, pigments and wood.
The artist develops tools and techniques that are idiosyncratic, almost defiant. They demand physical effort, they distort, chop, and multiply the stroke—giving it temperament. This process highlights the question of authorship: Who is writing here—the hand, the tool, or the surface?
Lucas Stolz
Zeiggeist
$2,490
