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Other details :
Artwork on wood. Ready to hang. Framing on request.
Dimensions :
16.9x11.8in
About this artwork
This piece was created by using various custom created tools, which function like a huge calligraphy nibs. As the tools cross over earlier layers of gestures, weaving textures appear, the tool starts vibrating, which generates wave-like structures in places.
Einfallspinsel 14 was painted in circa 20 layers, with a special technique that lets the colours shift as you look on from different angles. The piece never stays the same.
All titles from… this series use wordplay, in this case Einfallspinsel (play on German: Einfaltspinsel) hints at the idea that the brush acts as author, creating the idea, or the sign.
Lucas Stolz (*1985 in Basel, Switzerland) understands calligraphy as a painterly act. Writing as a developmental process for images in which words dissolve, signs as traces of a body that writes, where it could also paint.
In his work, he explores four fundamental levels of handwriting: the invention and transformation of signs; continuous writing, which, through repetition, makes humanity visible; the development of custom writing tools, that shape the stroke; and the analysis and repurposing of materials from writing cultures, leading to experiments with sand, pigments and wood.
The artist develops tools and techniques that are idiosyncratic, almost defiant. They demand physical effort, they distort, chop, and multiply the stroke—giving it temperament. This process highlights the question of authorship: Who is writing here—the hand, the tool, or the surface?
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Einfallspinsel 14
Lucas Stolz
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