Zeiggeist
Acrylic, Lacquer on Wood
37x29in
$2,540
Framing
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Lucas Stolz
Spain
Artist highlights
- Featured artist
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Lucas Stolz
Artwork details
- Medium : Acrylic, Spray Paint on Wood
- Other details : Artwork on wood. Ready to hang. Framing on request.
- Dimensions : 24.4x54.3in
About this artwork
In Swiss dialect, Habakuk stands for foolishness, something silly. It‘s unclear why exactly, but somehow what started out as a name of a prophet in the old testament, found this new meaning over time.
Habakuk is painted with special a technique that lets the colours shift as you look on from different angles, the piece never stays the same. To highlight this the piece can be hung 4 ways.
Created between 2022 and 2024
Gesso, sand, ink, acrylics… on wood and sealed paper.
Zeiggeist Series:
The title of this series is a play on the German word “Zeitgeist,” which refers to a way of thinking that is symbolic for a moment in time. “Zeig,” (to show), combined with “Geist,” (ghost/spirit), could be interpreted as the "spirit of showing (time)". At its heart, the series is about showing the evolution of the work with time.
Habakuk is painted with special a technique that lets the colours shift as you look on from different angles, the piece never stays the same. To highlight this the piece can be hung 4 ways.
Created between 2022 and 2024
Gesso, sand, ink, acrylics… on wood and sealed paper.
Zeiggeist Series:
The title of this series is a play on the German word “Zeitgeist,” which refers to a way of thinking that is symbolic for a moment in time. “Zeig,” (to show), combined with “Geist,” (ghost/spirit), could be interpreted as the "spirit of showing (time)". At its heart, the series is about showing the evolution of the work with time.
Lucas Stolz
Spain
Credentials
- Featured artist
- Featured in gallery curations
- Works on commission
Lucas Stolz (*1985 in Basel, Switzerland) understands calligraphy as a painterly act. Writing as a developmental process for images in which words dissolve, signs as traces of a body that writes, where it could also paint.
In his work, he explores four fundamental levels of handwriting: the invention and transformation of signs; continuous writing, which, through repetition, makes humanity visible; the development of custom writing tools, that shape the stroke; and the analysis and repurposing of materials from writing cultures, leading to experiments with sand, pigments and wood.
The artist develops tools and techniques that are idiosyncratic, almost defiant. They demand physical effort, they distort, chop, and multiply the stroke—giving it temperament. This process highlights the question of authorship: Who is writing here—the hand, the tool, or the surface?
In his work, he explores four fundamental levels of handwriting: the invention and transformation of signs; continuous writing, which, through repetition, makes humanity visible; the development of custom writing tools, that shape the stroke; and the analysis and repurposing of materials from writing cultures, leading to experiments with sand, pigments and wood.
The artist develops tools and techniques that are idiosyncratic, almost defiant. They demand physical effort, they distort, chop, and multiply the stroke—giving it temperament. This process highlights the question of authorship: Who is writing here—the hand, the tool, or the surface?
Lucas Stolz
Habakuk
$2,950
