Namasté
Digital on Metal
31x24in
$6,150
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Manorack Phenglamphanh
France
Discover the creation in interiors
Artwork details
- Medium : Digital on Metal , Metal
- Framing : Framed
- Dimensions : 15.7x41.3in
- Edition : 2 / 7
- Hors commerce : 1
About this artwork
All my works are printed directly onto brushed metal, which allows them to "live" and express their beauty according to the ambient light of the place where they are hung.
In this work, I wanted to capture the subtle beauty of nature with a touch of orientalism and minimalism. Each foxglove and leaf expresses a tranquil harmony, blending gentle abstraction with delicate details. This creation evokes serenity and refinement, bringing a soothing and… sophisticated energy to any space. It is an homage to the simple and timeless elegance of life.
In this work, I wanted to capture the subtle beauty of nature with a touch of orientalism and minimalism. Each foxglove and leaf expresses a tranquil harmony, blending gentle abstraction with delicate details. This creation evokes serenity and refinement, bringing a soothing and… sophisticated energy to any space. It is an homage to the simple and timeless elegance of life.
Manorack Phenglamphanh
France
My work explores the shifting boundary between photography and digital painting. A self-taught artist of Laotian origin living in the Pyrénées-Atlantiques, I develop a practice where the photographic image becomes material, support and pretext for a deeper transformation.
My works oscillate between abstraction and figuration, between appearance and disappearance. I play with textures, superimpositions, and accidents to thwart visual expectations and shift the gaze toward what eludes the obvious. This process, nourished by experimentation and multiple influences, seeks less to represent than to evoke feeling.
I invite the viewer to a sensory and emotional experience where the image ceases to be a simple object to contemplate and becomes a space for projection, doubt and inner resonance.
My intention is to reveal the invisible part of reality, that which is more sensed than shown, and to open up a field of renewed contemplation.
My works oscillate between abstraction and figuration, between appearance and disappearance. I play with textures, superimpositions, and accidents to thwart visual expectations and shift the gaze toward what eludes the obvious. This process, nourished by experimentation and multiple influences, seeks less to represent than to evoke feeling.
I invite the viewer to a sensory and emotional experience where the image ceases to be a simple object to contemplate and becomes a space for projection, doubt and inner resonance.
My intention is to reveal the invisible part of reality, that which is more sensed than shown, and to open up a field of renewed contemplation.
Manorack Phenglamphanh
GINKO
$5,410
