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Medium :
Giclée print on Paper , Synthetic board under glass
Framing :
Framed
Dimensions :
6.8x10.8in
Edition :
25 / 26
Artist's proof :
1
Hors commerce :
1
About this artwork
I stand at the edge where land meets sea, witnessing a collision rather than a harmony. My figures drift between species and states, embodying a restless humanity pushing outward, consuming what was once distant and unknowable.
The sea is no longer a boundary but a territory under pressure, reshaped by desire and neglect. I paint this as both observation and unease—an entanglement of curiosity, dominance, and consequence. Here, the shoreline becomes… a fault line, where expansion reveals not progress, but a quiet and accumulating loss.
« Our world is tearing itself apart environmentally, socially, and economically. It is my job to highlight the faults as I see them. I disguise dark themes with color and rhythmical lines. »
Marc Rayner is an Australian artist based in Sweden who has exhibited his works nationally, as well as in Sweden, Monaco, France, Qatar, Italy, India, South Korea, Denmark, and Japan. The key to his artworks is the creation of 'quasi-landscapes' rich in text and design, or flat and almost devoid of information. This 'distorted zone' is a place where Rayner's tormented, disenfranchised, and often unfortunate characters exist. He is drawn to outsider artistic styles and naive art in broader terms.