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I let water draw on glass, but here a dark main vein guides the image – along it, fine drops line up like pearls in a capillary flow. Around it stretches a network of delicate lines, as if reading roots, veins, or river courses. Temperature gradients, gravity, and surface tension are my silent tools; the light sets accents: warm on the left, cool on the right – a gradient from haze to clarity. In the narrow frame, the scale is lost: micro becomes… macro, material becomes map. The pane is no longer a window, but a carrier of an organic script.
In the series "Biomorphic Topography," I explore such transitions between natural processes and pictorial form—precise and poetic at the same time. This creates a landscape of water and time, in which direction, rhythm, and transience become visible.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).
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Biomorphe Topographie II: Kapillarfluss
Marcel van Beek
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