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In "Les Fleurs du Mal II," I depict a field of withered sunflowers at night, like a small gathering of spirits. Some flower heads bear seemingly smiling features—a silent, slightly uncanny echo of the vibrant life they once possessed. The deep black of the "Nocturnes" swallows the context; only around the central sunflower does a faint yellowish glow linger, a last vestige of light and warmth. I am interested here in the symbolist aspect: from the… remnants of nature emerge "flowers of evil," projection surfaces for melancholy, premonitions of death, and defiant perseverance—as with Baudelaire, decay and ugliness give rise to poetry and beauty. The night creates the distance in which these forms become signs—fragile, ironic, poised between dignity and decay.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).