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"The Ghost Train" leads my "Silent Places" into a hall that is more echo than roof. A former post office from which the trains have disappeared; all that remains are the remnants of tracks, platforms, and scarred glass panels. Through the broken facade, the city shimmers like a mirage—at once close and intangible. The color scheme captures the moment between rust and evening light, between memory and design. I'm interested here in the silent movement… without actors: how nature reclaims space, bushes surround the tracks. At the same time, the place speaks of what will return: the next urban development plan, the next use. I work with reduction and expanse; the openness ahead leaves room for expectations, the darkness of the hall for what is missing. "The Ghost Train" is not an end, but an intermediate stage: a reminder that decay and beginning share the same breath—a silent rhythm in constant change.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).