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"Expectation I" is a nighttime gaze and waiting. The building's perimeter is empty, yet the lights are on, as if the next event has already been announced. I depict architecture like a stage: walls, beams, lamps—backdrops without actors. The grain is intentional; it makes the air denser, as if fine sand lay between the gaze and the stone. In this artificial brightness, a Hopper-like tension arises: Who is coming here, or soon leaving the house, and… why? A meeting, a check, a hiding place? I leave the answers open, merely holding my breath before the event. "Silent Places" means to me that quiet is not mere absence, but a form of presence: the sound of the lamps, the order of the shadows, the possibility that something—perhaps monstrous—could happen. This image is not a riddle with a solution, but an invitation to listen to one's own expectation.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).