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In my work "High in the Sky," I completely detach the motifs from any terrestrial connection. The gannets become pure ciphers in an endless, sepia-toned space.
I use the soft, almost feathery structure of the cloud formations as a background to emphasize the "rhythmic geometry" of the birds. My gaze focuses on the isolated form and the dynamics of flight, which, in this reduced palette, acquire an almost graphic rigor. The work is a reflection on… freedom and absolute detachment, with the birds appearing like floating particles in a fluid atmosphere—a consistent continuation of my search for order within the boundless expanse of nature.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).