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"Power Plant" (from the "Industrial" series) depicts the Spittelau waste incineration plant in Vienna—not as an iconic "calendar page" of Hundertwasser architecture, but as a functional machine. I choose the tonal palette, framing, and composition so that decoration becomes a mere footnote: pipes, cylinders, struts, and surfaces move into focus, as if the building were revealing itself as a system. Here, aesthetics arise from form and structure,… from the rhythm of pipes, curves, and grids—a sober beauty that grows out of functionality. At the same time, a sense of unease remains: this power plant, too, is part of a fossil fuel age because it burns oil-based plastics instead of recycling them. In this reduction to function, what otherwise disappears behind design becomes visible: an infrastructure that promises order and energy—and whose material basis simultaneously raises questions about responsibility and the future.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).
More: www.marcelvanbeek.de