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In "Steel Skeleton on the River," I portray an abandoned lifting crane (Karnin bascule bridge) that stands in the water like an open stage. Its delicate lattice structure stands out against the vast sky, the house attached to the side like a final, silent observer. The monochrome, reddish-brown hue detaches the structure from the present and places a melancholic filter over the scene—as if the sound of its work now only comes from memory. In the… series "Cityscape in Minor Key," I am interested in the city on the margins: technical relics, transitional zones, places without an audience. Here, the crane is no longer a symbol of progress, but a steel skeleton, further eroded by current and weather after the bridge's demolition. Thus, the industrial monument becomes a quiet minor-key chord above the water's surface, an image of the echoes of past function in a stilled landscape.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).