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“Singularity IV” (from the “Industrial” series) depicts a drain—an inconspicuous detail that I treat like a threshold. In the grimy, undefined surroundings, the floor appears cold and uncanny, as if it were merely a surface covering something that eludes us. The rusty grate lies like a final order over the opening, but beneath it begins a black space that swallows everything: water, dirt, traces. The title alludes to the physical singularity of a… black hole—an exception in the fabric of the world, a point where rules tip. This is precisely the feeling I seek in the everyday: that an abyss suddenly opens up in a banal drain. The aesthetic lies in the materiality—rust, stains, grid, abrasion—and in the notion that even the smallest infrastructure has a dark side: an unquestioned disappearance that we cross daily without looking.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).
More: www.marcelvanbeek.de