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In "Route of the Forgotten," I follow a railway curve that disappears into the dense greenery. The soft, greenish hue promises tranquility; grasses and bushes embrace the tracks as if the landscape were growing over them. And yet, my gaze is drawn to a half-hidden cottage—a trace of history. Does the track lead there? What happened there? What still goes on there? Who used these rails before they became lines of rust and scars of grass?
Between… familiarity and suspicion, I capture the moment of shifting perspectives: a fairytale idyll, as if someone might open the door at any moment – and the unease that paths are forgotten and places close. Thus, the route becomes a strip of memory, on which I read traces and continue to ponder the void.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).