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In this Neolithic burial site, I stand in a passageway of upright stones. Ceiling slabs weigh heavily above me, blocks interlock to the sides; yet a bright gap opens up at the front. In this work from the "Space Escapes" series, I am interested precisely in this moment: when weight, confinement, and history meet a strip of light. The camera follows the path like a silent processional route, simultaneously guiding and slowing the gaze. Moss, dust,… and small plants remind us that time lies here in layers.
For me, the walk becomes an inner space – half passage, half chamber – where closeness to the dead and a quiet confidence mingle that beyond the stones another horizon begins.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).