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In "Judgment Against a Lover," I deliberately omit a face. The hood robs the intentionally youthful-looking figure of its individuality; it stands for all those condemned for their love. Only the body remains: leaning forward, heavy, caught in the rope. The posture is a moment between defiance and resignation, frozen just before or after the verdict.
The rope, the mask, the white paper – I need nothing more to tell a story of violence. For me,… this drawing is both protest and remembrance: an image against the death penalty, which still hangs over queer lives worldwide. No one should have to die for love. With the ballpoint pen, I add layer upon layer of marks, as if I don't want to let the annihilation that this sentence represents rest.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).