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Marco Spitzar
Austria
Related collection
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273 pieces
Artist highlights
- Experienced Artist
- Prizewinner
Discover the creation in interiors
Artwork details
- Medium : Colored Pencil on Paper
- Framing : Framing on request
- Dimensions : 12.6x10.2in
About this artwork
The deep indigo blue and the sheen of the UHU for the cosmic atmosphere
In the western world, which is marked by light pollution, we lose the connection to the firmament, to our sky above us and to the stars. The experience of the infinite sky and the world of stars in the dried-up savannahs of Africa can best be experienced with the feeling of night in the wintry snow-covered mountains.
The moonlight is creeping and glistening like a shimmering… blanket over everything, nature, the objects and the people who move in it. Marco Spitzar makes the decision for a monochrome indigo blue to capture the nocturnal atmosphere and the cosmic of his sensations and thus to decline his themes. Always hoping to catch the moment that lets us feel it.
In the western world, which is marked by light pollution, we lose the connection to the firmament, to our sky above us and to the stars. The experience of the infinite sky and the world of stars in the dried-up savannahs of Africa can best be experienced with the feeling of night in the wintry snow-covered mountains.
The moonlight is creeping and glistening like a shimmering… blanket over everything, nature, the objects and the people who move in it. Marco Spitzar makes the decision for a monochrome indigo blue to capture the nocturnal atmosphere and the cosmic of his sensations and thus to decline his themes. Always hoping to catch the moment that lets us feel it.
Marco Spitzar
Austria
Credentials
- Experienced Artist
- Prizewinner
« There is nothing more exciting than owning your own story. The world's own explanation. Every materialism fades there. »
Marco Spitzar is an award-winning draftsman whose works have been featured in several solo exhibitions in Austria. He believes that we are born glued to the world, detached and heavy from imprints and stories to which we stick. Spitzar has used UHU adhesive in his the creation of his compositions for over forty-years, making new surface structures that also allow his imagery to remain transparent.
