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Marisa Comparin
Italy
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Marisa Comparin
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 15.7x15.7in
About this artwork
Tempesta was born from a physical need, even before an aesthetic one. I didn't seek harmony, but urgency. I let the colors clash, overlap, and negate each other. Every gesture was instinctive, rapid, almost necessary.
In this work, I don't depict an external storm, but an internal movement: emotional layers, impulses that emerge and are covered, traces that remain visible even when I try to hide them. The reds are explosions, the blues are deep… breaths, the blacks are dense pauses, almost weighty silences. The white lines crisscross everything like trajectories of thought, like attempts to find a center in the chaos.
There's no fixed point. The eye is forced to move, to get lost, to retrace its steps. This is how I experience the storm: not as destruction, but as continuous transformation. Each stroke is a choice, but also a surrender to the unpredictability of the gesture.
In this work, I don't depict an external storm, but an internal movement: emotional layers, impulses that emerge and are covered, traces that remain visible even when I try to hide them. The reds are explosions, the blues are deep… breaths, the blacks are dense pauses, almost weighty silences. The white lines crisscross everything like trajectories of thought, like attempts to find a center in the chaos.
There's no fixed point. The eye is forced to move, to get lost, to retrace its steps. This is how I experience the storm: not as destruction, but as continuous transformation. Each stroke is a choice, but also a surrender to the unpredictability of the gesture.
Marisa Comparin
Italy
Credentials
- Featured in gallery curations
- Works on commission
"My painting is born from gesture. Through color, texture, and movement, I try to make visible energies and emotions that have no precise form, but that we can all perceive."
My research develops through multiple artistic lines, which I consider complementary tools for expressing visions, emotions, and complex reflections. I primarily use paint on canvas and wood, ranging from abstraction, religious symbolism, and the female nude, with a particular focus on the theme of violence against women.
I'm convinced that being an artist today also means taking the freedom to explore, to reject rigid labels, and to construct a profoundly authentic language. "I don't create decorations: I create emotions to be owned.
My research develops through multiple artistic lines, which I consider complementary tools for expressing visions, emotions, and complex reflections. I primarily use paint on canvas and wood, ranging from abstraction, religious symbolism, and the female nude, with a particular focus on the theme of violence against women.
I'm convinced that being an artist today also means taking the freedom to explore, to reject rigid labels, and to construct a profoundly authentic language. "I don't create decorations: I create emotions to be owned.
Marisa Comparin
Tempesta
$1,210
