Not currently available for saleThis piece is currently reserved (either by a client or for an exhibition...).Get notified when it becomes available again.
Thank you very much for your interest!
Your message has been sent successfully! We will get back to you if the artwork becomes available again.
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Other details :
Artwork on supported wooden frame. Ready to hang. Framing on request.
Dimensions :
20.1x16.1in
About this artwork
We are all familiar with the expression “skeletons in the cupboard”, a shorthand for hidden guilt concealed behind the façade of normal life. This painting gives that phrase literal form, placing it within the calm interior of an ordinary middle-class home.
A cupboard reveals its contents only partially: a skeleton dimly visible behind reflective glass. It is not discovered, nor exposed in dramatic fashion, but quietly present, long contained and… absorbed into the furniture of everyday living.
An older man moves away through the open doorway. He does not look back. His departure is measured and unhurried, suggesting resignation rather than escape. Nothing in the room is disturbed. Order is preserved. Comfort remains intact, even as evidence of past, morally dubious actions lingers just out of full view.
The painting ultimately asks not whether guilt exists, but whether it is ever truly left behind or merely closed away, as one walks on.
Wojnowski, a Chelsea College of Art and Design alumnus, exercises his superb skills in acrylic paintings and interior design. Mesmerizing spectators through fine detail blended with expressive brushwork, he delineates a whimsical, dreamlike world where precision coexists with artistic freedom. He compels, through vibrant nuances of colour, a dive into an enchanting universe of nostalgia, playfulness and surrealism, ultimately sparking profound joy, reflection and momentary escape from reality.