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One of a series of diptychs and polyptychs made in the 1990s on the theme of the human/nature interface, first shown in an exhibition entitled `'Surface Tension" at the Bryan O'Malley Gallery, Rotherham. The 'tension' of the title is the apparent conflict between natural beauty and human mishandling of nature, as well as the aesthetic tension between a formally perfect surface and a troubling content; This formal dualism appears in the work of… Andy Warhol as well as Jochen Gertz, and the dyptych format was to be found in much 1980's art, such as the Vancouver school of Ian Wallace, Christos Dikeakos and others.
Kenneth Hay is an accomplished visual artist working across painting, photography, drawing, printmaking, sculpture and digital media, with a richly academic and international background. Ex-Head of Fine Art at the University of Leeds UK and Professor of Aesthetics, Brno, he trained in Leeds, The Accademia in Florence and the University of Wales. As a writer, he publishes widely on art and aesthetics. With Seetha A, he formed Moorland Productions creative collaboration and together they produce joint work, projects and exhibitions. As artists, their work is grounded in figurative traditions but fluidly traverses abstraction, conceptual series, and diverse historical and cultural styles, choosing each medium and visual language to suit specific themes. Their artworks are layered with intellectual rigour and formal beauty, conveying a thoughtful dialectic between content and form, and evoking both curiosity and deep emotional resonance in viewers willing to engage with their complexity.