Terraviva
Acrylic, Paper
13x13x13in
$2,960
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Natalia Tykhoniuk
Switzerland
Related collection
L’art de la terre
24 pieces
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Other artworks by Natalia Tykhoniuk
Artwork details
- Medium : Acrylic, Paper Without Stand
- Dimensions : Length: 12.6in, Height: 13in, Depth: 11.8in
About this artwork
Corterra is a sculptural relic shaped by the slow memory of earth — a biomorphic vessel where surface becomes sediment, and form holds the quiet persistence of time.
Hand-formed from recycled paper clay, its skin is rugged and ancient, textured like a fractured crust hardened under forgotten suns. Shades of terracotta, umber, and ash weave together in layers, evoking soil, stone, and the slow erosion of landscapes unseen.
This piece does not imitate… nature — it belongs to it. With its organic flow and raw surface, Corterra invites touch and stillness, becoming a quiet axis around which space seems to breathe. It is not a vessel of use, but a vessel of presence — an echo of forces both eroded and enduring.
Part of the Terrac Spheria collection, Corterra explores the poetics of matter shaped by rupture and silence — where sculpture is not made, but unearthed. A timeless fragment, grounding yet weightless, whispered into being by the hand and memory of earth itself.
Hand-formed from recycled paper clay, its skin is rugged and ancient, textured like a fractured crust hardened under forgotten suns. Shades of terracotta, umber, and ash weave together in layers, evoking soil, stone, and the slow erosion of landscapes unseen.
This piece does not imitate… nature — it belongs to it. With its organic flow and raw surface, Corterra invites touch and stillness, becoming a quiet axis around which space seems to breathe. It is not a vessel of use, but a vessel of presence — an echo of forces both eroded and enduring.
Part of the Terrac Spheria collection, Corterra explores the poetics of matter shaped by rupture and silence — where sculpture is not made, but unearthed. A timeless fragment, grounding yet weightless, whispered into being by the hand and memory of earth itself.
Natalia Tykhoniuk
Switzerland
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
I was born in a city that no longer exists as it was. Mariupol — once sea and sand, now ash and absence. Yet even what disappears leaves its trace. That trace is what I follow.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.
Natalia Tykhoniuk
Corterra
$2,080
